The History of Flower Crowns and the Women Who Wore Them: From Frida Kahlo to Kate Moss

Few accessories have aroused such commentary, for and against, than the flower crown, so trendy of late among the neo-hippie festival crowd. Despite detractors, these decorative headpieces, whose history in mythology and art can be traced back to ancient civilizations, show no signs of fading from favor. Just a few months ago at Rodarte’s most recent runway show, designers Kate and Laura Mulleavy adorned models with burnished coronets and cast-metal blooms, unleashing a fresh wave of flower mania laced with a subversive new undercurrent.

It’s a look that has roots. In agrarian societies, tied to the land and the seasons, flower crowns had great symbolic meaning. Worn for practical and ceremonial reasons, they could illustrate status and accomplishment (Olympic olive wreaths). The language of flowers and herbs was well-known, with each carrying its own meaning (“There’s rosemary, that’s for remembering. Please remember, love. And there are pansies, they’re for thoughts,” says Ophelia in Hamlet.) Full of significance, floral headdresses were woven into the social and dress traditions of places as distant as Russia and Hawaii.

With increasing industrialization the flower crown became a romantic sign of the simple “country” life (longed for, in a stylized version, by Marie Antoinette) and increasingly appreciated for its decorative value. While brides continued the ceremonial traditions of flower-wearing, it was the earth-mother hippies who have most influenced the accessory’s current incarnation. Finding themselves partying rather than plowing, these flower children would truss their slept-in hair with wildflowers to signify their connection to nature.

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